Photos by Amy Gee with Patrick Kelley
Little black dresses don't a runway make. That is, unless they're one-of-a-kind dresses that aren't all that little or basic. Leave it to local designers like Emma Berg, George Moskal, Max Lohrbach and Danielle Everine to make the classic closet staple into statement pieces. The dozen LBDs walking the runway for the "Little Black Dress" fashion show at St. Paul's Amsterdam Bar and Hall on Thursday evening ran the gamut, from vintage-inspired (see: Moskal, Everine) to sex-on-a-stick edgy (see: Raul Osorio, Sarah M. Holm, Laura Fulk), and from cocktail-ready (Amanda Christine) to gala-ready (see: Berg, Maritza Ramirez). Though a group show at the heart, some of the evening's standout pieces included Everine's silk chiffon overdress with a beaded high collar, embedded with lace applique and paired with an underdress in a printed lace motif, as well as Berg's silk gazar bodice with a woven polka-dot ballgown skirt. It also served as a return to the runway from Fulk, obscure since her F/W 2010 collection showing in spring of that year, as well as the introduction to Nicole Larson, a young designer already showing a strong point of view. Though the additional segment showcasing a non-LBD look by each designer seemed a bit tacked-on and unnecessary, slickly-produced event as a whole (which featured stunning Vision models and styling by HAUS Salon) offered a clear, easily-accessible theme that seemed to point to a increasingly sophisticated aesthetic within MNfashion and the local fashion community in general.
Look: Nicole Larson. Photo: Amy Gee
Look: Ivan Idland. Photo: Amy Gee
Look: Raul Osorio. Photo: Amy Gee
Look: Sarah M. Holm. Photo: Amy Gee
Look: Raul Osorio. Photo: Amy Gee
Look: Laura Fulk. Photo: Amy Gee
Look: Danielle Everine. Photo: Amy Gee
Look: Amanda Christine. Photo: Amy Gee
Look: Nicole Larson. Photo: Amy Gee
Look: Jenn Bratvold. Photo: Amy Gee
Look: Ivan Idland. Photo: Amy Gee
Look: Max Lohrbach. Photo: Patrick Kelley
Look: Sarah M. Holm. Photo: Amy Gee
Look: Danielle Everine. Photo: Amy Gee
Look: Jenny Carle. Photo: Amy Gee
Look: Emma Berg. Photo: Patrick Kelley
Look: Emma Berg. Photo: Patrick Kelley
Look: Maritza Ramirez. Photo: Amy Gee






Up first, Everine's collection boasted a wealth of separates. Though the full looks were wearable, the coats, vests, blouses, ponchos, skirts and trousers will be sure to generate consumer interest as individual items. She opened her collection with a sheer floaty shirtdress in a pale paisley - a look that was both unconventional and accessible. The dress would satisfy tomboys and girly girls alike, paired with either vintage T-strap heels or broken-in cowboy boots.
A cropped drop-crotch pant in a slim cut and a fringed side seam led the transition to a modern take on traditional western wear. In this part of the collection, fur and leather details accented flirty, feminine looks and tailored women's suiting.
The finale look, a show-stopping quilted suit with exaggerated shoulders and wide-leg trousers accessorized with a fur ushanka-style hat, echoed both Julie Christie and Katharine Hepburn. The result made the impending Minnesota winter seem positively appealing.
Raul Osorio, known for his impeccable menswear, presented an equally successful dive into womenswear. Romantic lace blouses were paired with neatly cut shorts and skirts, upholding the evening's trend of sellable separates. A clever black bolero jacket and matching high-waisted skirt would satisfy a wide range of consumers without requiring the designer to compromise his trademark aesthetic.
An antique gold lace shirtdress with cascading ruffles was one of the evening's stand-out pieces. Interestingly, instead of pairing the piece with a coordinating slipdress, the styling team layered the dress over a pair of black biker shorts. Although it wasn't immediately noticeable, the choice referenced current ambitious runway trends.
The finale piece, a high-collared pink lace gown with tiered ruffles echoed American designers such as Ralph Lauren, renowned for his ability to reference the Old West in contemporary gowns. Osorio's interpretation was stunning.
Osorio seems to possess an innate understanding of silhouette. He can take a little black dress and turn it into a statement piece without sacrificing versatility. His challenge lies in his trousers. One look which paired tight white high-waisted pants with a bustier top was particularly unforgiving. Though beautifully made, the cuts and fabrics can be difficult to wear. It would be interesting to see him play with a wider variety of cuts in the future.





