Showing posts with label msp fashion week. Show all posts
Showing posts with label msp fashion week. Show all posts

Friday, February 24, 2012

MSP Fashion Week in Review: "Resurgent"

Text by Beth Hammarlund
Photos by Amy Gee


Last night, Lyndale boutique You and Me presented "Resurgent," their first runway show, at Amsterdam Bar & Hall in St. Paul. A collaborative venture between fashion designers Tim + Thom, Camille Fashions and jewelry designer Katy Schmaty, the store is part studio, part custom shopping experience.


The show opened with musical performances by Loveless Aphrodite and Tiger Vs. DJ Encounter then took to the stage, which had been decorated in twisted twigs and branches, creating a simple, yet enchanting backdrop.

The clothing was presented in three different segments. The first was marked by a flag on stage that flew the initials "KS." This segment focused on jewelry by Katy Schmaty, but it was unclear whether the clothing was by Tim + Thom, Camille Fashions, or both. You and Me's line is a collaboration of the designers, but it would have been helpful to have a presentation or a program that explained whether the entire collection was a collaboration among all of the designers, or if the different segments did indicate different designers.

The "KS" segment featured truly fantastic animalistic hairstyles, some of which literally wove in strands of Katy Schmaty's ornate jewelry. Sculpting horns and antlers out of models' manes is not a new idea, but to see it executed so well at a show in the Twin Cities was a treat. However, it felt incongruous to have models with such elaborately crafted hair and feminine jewelry wearing what was, in several cases, casual sportswear.



The second segment, marked with a flag bearing the image of a bird, included a pair of excellent fitting jeans with contrasting fabric across the knees. (The bird image from the flag was embroidered onto a back pocket, as well.) The looks were hit and miss, and there were a lot of them. I lost track of exactly how many looks were shown throughout the show, but it would have been in the designers' best interest to bring down the number. Quality should always outweigh quantity.

The second segment's closing look was a bit strange. A male model glided down the runway in well-made black duster, but the safety pin fastenings looked less punk rock than they did a last minute necessity. He also wore a black gas mask and had a samurai sword holstered on his back. Though the look was certainly arresting and impressive, it seemed strangely out of place. The styling of the show suggested a narrative, but I couldn't pinpoint when we had moved from strange forest girls to post-apocalyptic urban warfare.


The final segment, marked with a "T+T" flag (presumably for Tim + Thom), included more pieces that were fairly hit and miss, and could have used some editing. But there were certainly highlights. I adored a pair knee-length cable knit trousers in a marled gray. I would love to see a longer and less chunky version of that design, as well. Another high note came from an unexpected place. While standing onstage, a female model appeared to be wearing an ordinary oversized men's pinstripe suit coat. But as she walked down the runway, it became clear that the suit coat was in fact tailored into a cape. (Unfortunately, due to the dark backdrop of the stage and the color of the cape, photographs do not do the silhouette justice.) It was a unique idea and a pleasant surprise.



Veteran model Tearra closed the show in a long coat wearing what I first thought was a pair of long slim jeans. However, on her return walk, it became apparent that they were more like a pair of slender denim leg warmers that ran from thigh past the ankle. I didn't love the coat and the overall look was uneven, but it's refreshing to go to a fashion show and be treated to little surprises like this.




Throughout the show, a number of pieces appeared to be either unfinished or poorly finished. Hems and closures were a problem, and some of the designers lacked for taste. I couldn't help wishing that the designers had cut several of the looks, and used that time to refine the stronger pieces. There were good ideas there, but they got a little lost.

The models walked slowly and strangely on the runway. It wasn't a strut of a stomp, but more of a step-drag, step-drag. The choreography choice received mixed reviews from the crowd, but I thought it worked well with DJ Encounter's music and the atmosphere. There were some strong styling choices that still stick in my mind, as well. In particular, a mock ponytail fashioned out a raccoon tail piqued my interest.

Though the event was charming and ambitious, it was significantly less refined than what we've come to expect at high-profile MNfashion events. There were some hiccups in timing, a few wobbly models, and the collection would have benefitted from significant editing and finishing. There's plenty of room for improvement. That said, every show has to start somewhere, and if Resurgent becomes a recurring event in MNfashion Week, it has the potential to become a can't-miss event. The ideas are definitely there. What they need is a good polish.

View more "Resurgent" photos by Amy Gee HERE.

Wednesday, February 22, 2012

MSP Fashion Week in review: The Shows f. Emma Berg, Amanda Christine & Kimberly Jurek

Text by Beth Hammarlund
Photos by Corey Tenold


After a successful debut in spring 2011, The Shows returned for another MNfashion Week. Held at 514studios in the Warehouse District, the show featured a trio of local favorites KJurek by Kimberly Jurek, Emma Berg, and Amanda Christine showing fall/Winter 2012 collections.

Jurek opened the show with an easy cabernet-colored dress with delicate straps and a playfully uneven hem. It didn't push any boundaries, but certainly had the elegant and tasteful quality that Jurek is known for. A black cowl neck winter cape was a standout piece, followed by a floaty dress in a green and black print that my seatmate and I simultaneously called dibs on.



Unfortunately, the majority of Jurek's capsule collection was underwhelming and lacked variety. Dresses were repeated in varying colors and lengths, giving the presentation a sense of redundency. Several plunging cowl neck dresses felt dated.


The makeup was striking, and much like some of Jurek's best looks, the hair was feminine and unfussy. Accessories by KR Designs punctuated the collection, and while the pieces were outstanding, in several cases chunky necklaces competed with the necklines of dresses.

Emma Berg's collection, entitled "Que Sera Sera," was a combination of good manners and unbridled girlishness. The clothes were feminine and fun nods to artist Frank Gaard, whose work inspired the collection and showed up on several pieces. Neon pinks, greens and blues played against pale dove grays and creamy ivories. Peter Pan collars created a youthful, almost childish, impression, while bulbous sleeves recalled the unapologetic drama of the '80s. Conservative tweeds with fluorescent details were perfectly suited for a fanciful rave.

There were several looks that worked in the context of the collection, but may not hold up on their own. A well-tailored tweed strapless dress with tangerine fur edging seemed right at home during the presentation, but may not retain that same appeal as an individual item on the rack. One of the more contraversial looks featured a model in a sheer fuchsia blouse with her breasts daintily covered by Tribble-like appliqués. Or maybe they were more like furry fried eggs. Either way, it got people talking, and I personally loved the unrestrained silliness.

Berg designs for women who want to use clothing to push their creative limits, but some of the separates in this collection were positively demure. Basic skirts were made special with unexpected gathers and hot pink stitching. A great way for a more conservative dresser to explore Berg's work.

The looks were elevated by light-hearted styling. Models walked in white tights spotted with pink hearts and neon pink plastic hoop earrings. Hair was accented with pinks, oranges, bluesm and greens, and neon eyelashes brought to mind the exaggerated doll-like style of Japan's Ageha girls.




Amanda Christine is certainly one of the most successful designers in the Twin Cities, selling her pieces at boutiques across the country. But this was her first hometown show in some time, and expectations were high. She presented a beautifully executed collection with great commercial appeal.

There was certainly an air of the '70s in her separates, and some of her sweater dresses were perfectly suited for jet-setting woman in the '60s. The palette explored shades of purple and merlot, while paisley was a major element in many of the looks. I'm personally not a huge fan of paisley prints, but the choice of print did align with the '70s working woman she seemed to be channeling.

The entire presentation was solid, but felt a bit uninspired. The palette and shapes were incredibly restrained, as if Christine had set specific limits prior to starting the collection and wouldn't consider coloring outside the lines. I'd love to see her relax her grip on the reins and see where her designs take her.

The Shows continues to be a highlight of Minneapolis-St. Paul Fashion Week, and we're already anxious to find out which designers will be involved next season.



Tuesday, February 21, 2012

MSP Fashion Week in review: Emerging Designers Showcase

Text by Jahna Peloquin
Photos by Corey Tenold


Last night, l'etoile and MNfashion joined forces to co-present the first-ever Emerging Designers Showcase. Guests mingled within the artified walls of CO Exhibitions as model/singer Tearra's musical collective OSO performed short sets, accompanied by Mayda on guitar and vocals. Throughout the evening, five fresh talents on the local design scene showcased looks previewing their Fall/Winter 2012 collections, accented with locally-designed accessories. YQY by Vivian showed a Year of the Dragon-inspired trio of looks featuring hand-painting and hand-dying and bold colors, featuring with jewelry from KR Designs. Nicole Larson showcased a Gaga-ian take on Edwardian silhouettes using rich brocades, paired with Victorian-inspired jewels by Lefthand Originals. Marissa Bridges offered a new twist on last fall's lace trend by hand-dying it for an ombréd effect, accented with accessories by Vanessa Zahid. Gina Marie Vintage showed a mix of breezy, classically chic silk separates in a cream and black palette with jewelry by Camba. Caroline Hayden finished up the evening with a layered silk georgette cocktail dress and stunning gown with richly-colored jewels by Via Patina.

Look by YQY by Vivian, jewelry by KR Designs
Look by YQY by Vivian, jewelry by KR Designs
Look by YQY by Vivian, jewelry by KR Designs
Looks by Nicole Larson, jewelry by Lefthand Originals
OSO featuring Mayda
Dress by Marissa Bridges, jewelry by Vanessa Zahid
Dress by Marissa Bridges, clutch by Vanessa Zahid
Dress by Marissa Bridges, jewelry by Vanessa Zahid
Look by Gina Marie Vintage, jewelry by Camba
Look by Gina Marie Vintage, jewelry by Camba
Look by Caroline Hayden, jewelry by Via Patina
Look by Caroline Hayden, jewelry by Via Patina

Hair by Amber Brenke
Make-up by Julie Swenson
Modeled by Elle Lemler, Sarah Mraz & Ashley Moe


Click HERE for more photos by Corey Tenold.
Click HERE for Joan Erakit's review of the show for City Pages.

Monday, February 20, 2012

MNfashion Week in Review: The Red Dress Collection

Text by Beth Hammarlund
Photos by Chris McDuffie


Move over, little black dress - in February, it's all about the little red dress. Already a fixture at New York Fashion Week, the Red Dress Collection made its way to downtown Minneapolis for the first time on Monday night with an all-local cast of designers and celebrity models. Carly Aplin of CW Twin Cities, MNfashion and the Heart Truth campaign, which promotes the little red dress to raise awareness of heart disease in women, presented a collection of 11 crimson gowns by some of the top local designers in the plush lounge of Seven. Throughout the evening, well-heeled crowd sipped on $18 Red Dress Cocktails (it's for a good cause, you guys) and perused a chic selection of items and packages for silent auction, with all proceeds from the silent auction and ticket sales going to The Women's Heart Clinic at the University of Minnesota.

Dresses were modeled by a variety of local luminaries - medical professionals, style editors, and philanthropists were paired with designers to create looks that married their personal styles with the designer's aesthetic. ROX Jewelry designer and former Fox 9 news anchor Robyne Robinson was the first to walk the runway in a layered gown by Rachel Blomgren.

Dress by Rachel Blomgren

Max Lohrbach gave one of his signature silhouettes an extra Valentine's Day punch in lipstick red. The result was sweet and flirty, and it was fun to see Lohrbach working with such a bright color.

Dress by Max Lohrbach

Sandy Simmons was poured into a floor-length gown by Adrienne Yancy of ArielSimone. Simmons was even more statuesque than usual, a testament to Yancy's tailoring ability. It fit like a sexy glove.

Dress by ArielSimone

Danielle Everine dressed Kaela Humphries (that's Kris' plus-size model sister) in a floaty red dress that could've gone a bit too conservative, but a racy thigh-high slit gave it just the right amount of sauciness. Everine hasn't done much plus-size design, but it couldn't have been much of a challenge to design for the stunning Humphries.

Dress by Danielle Everine

Landyn Hutchinson closed the show wearing the finale gown by Emma Berg. The show-stopping number was, without question, the highlight of the event. It was bold and romantic, and guests could barely take their eyes off of Hutchinson.

Dress by Emma Berg

Kudos to the organizers, designers, models, and volunteers for putting forth so much effort for a good cause. The Red Dress Collection's introduction to Minneapolis went off without a hitch, and hopefully we'll be able to attend this event again in the years to come.

Dress by Laura Fulk
Look by Christopher Straub
Dress by Sarah M. Holm
Dress by Tim Navarro

MSP Fashion Week in review: "Twelve"

Text by Jahna Peloquin
Photos by Amy Gee


Student fashion shows can be a mixed bag, but we can't help but love celebrating the potential of young designers, finding fresh inspiration from new faces, and trying to guess who'll be the next up-and-coming designer to emerge from the Twin Cities. On Saturday night, the University of Minnesota hosted their 44th annual senior apparel student fashion show at Rapson Hall on the college's Minneapolis campus. Though the show was called "Twelve," only 11 designers showcased their collections - but we say, quality over quantity. We especially loved Sara Lopez' play on proportions in her avant-garde looks, as well as Jennifer Robertus' mix of flowing sheers with preppy stripes. Here is a sampling of the evening's looks, as gorgeously captured by photographer Amy Gee.

Sara Lopez
Sara Lopez
Sara Lopez

Lizzie Hillmann
Lizzie Hillmann
Laura Van Ripe

Jennifer Robertus
Jennifer Robertus
Gabby Goetz
Gabby Goetz
Kari Kachelmacher
Diana Zhyhar
Diana Zhyhar
Carol Fallabeck
Carol Fallabeck
Andrea Sittler
Andrea Sittler
Andrea Sittler

Click here for a full gallery of photos by Amy Gee.