Showing posts with label minneapolis institute of arts. Show all posts
Showing posts with label minneapolis institute of arts. Show all posts

Sunday, November 21, 2010

In Review: MIA Third Thursday with MNFashion

by Beth Hammarlund
photos by Erik Hess


Art and fashion enthusiasts crowded the halls of the MIA last Thursday to support the museum's First Thursday collaboration with MNFashion. Four esteemed local designers selected inspiration pieces from the museum's vast permanent collection. Their final creations--three looks each--were displayed in a runway show held along the grand, marble-lined corridor of the museum's second floor.

Emma Berg opened the show with her Dali-inspired look: a sheer, buff blouse with a flouncy collar and a caged skirt of boning draped in the same delicate fabric. It was an elegant juxtaposition of hard and soft. Berg is known for her bright and playful palette, and it was a pleasant surprise to see her aesthetic captured in subdued neutrals.

The second piece, clearly influenced by Pablo Picasso's "Woman in Armchair," was Berg in her comfort zone. Pops of brilliant blue, green and fuchsia sequins brightened up the asymmetrical black and cream dress. Though it wasn't a great departure from her signature style, it was Berg's most daring runway look.

Berg's final look, inspired by an African Nkisi sculpture, consisted of a floor-length black crushed velvet skirt and a dramatic neckpiece over a sheer black blouse. The show-stopping element was the neckpiece, a tangle of cotton coil dyed black and intricately wound and sewn to create a collar that was gothic and aggressive.

Designer Laura Fulk, who has graduated to mostly solo shows in the Twin Cities, was back in the mix. The designer presented three variations of an oxford shirt and knee-length pencil skirt. As is Fulk's style, something was askew in each of the designs. There was a buttoned front opening that fell at a diagonal, a shirt collar twisted to the side, and a tie that hung off-kilter.

Fulk was inspired by Harold Edgerton's famous photograph of a bullet shooting through an apple, and the designer attempted to capture the freeze-frame the bullet's path with carefully placed explosions of white tulle. Unfortunately, the concept didn't quite shift into a fully realized sartorial interpretation. Fulk is one of the Twin Cities' most intellectual designers. She tells a nuanced and fully realized story with each collection. Sadly, in these pieces, the story didn't quite translate.

Fresh off showing his new men's collection at SCENEaSOTA, Raul Osorio constructed three looks inspired by the MIA's collection of Native American art. Though such a selection could tempt a designer to go off the deep end with something cliche like beading or fringe, Osorio kept it simple with subtle, consistent references.

Osorio's collection at SCENEaSOTA was created for the modern dandy. It's an aesthetic that suits him well. So it was quite refreshing to see the designer expand his range for the MIA show by creating pieces that were more understated, even a bit rugged. An elegantly draped black coat stood out, and I'm hopeful that the designer will eventually make a women's version.

Finale designer Samantha Rei surprised quite a few local fashion followers when she announced that she had chosen architectural furniture design as her inspiration. Rei is known for her extremely feminine, Lolita-like dresses. So to hear that she would be taking inspiration from artists such as George Elmslie was quite intriguing.

Her first look was an asymmetrical party dress in an unexpected burnt orange. Heavy rectangular fringe along the hem and criss-cross ornamentation recalled Elmslie's work. The lines created in the look were both flattering and impressively thought out.

The second look boasted a similar shape as the first, but this time the design was perfectly symmetrical. Though the hard lines and heavy fringe were still in place, this look was set apart with it heavy floral fabric, recalling the upholstery of one of Elmslie's signature chairs.

Rei's last dress, the finale of the show, combined both the strong lines of the first look and the heavy floral fabric of the second.It was a strong finish for the designer. Rei's work is not for the faint of heart. She walks the line between the princess and the warrior, and it takes a great deal of confidence to wear her creations. However, the women who wear her dresses are guaranteed to appear both fearless and feminine.

Between the runway show, the trunk shows, the l'étoile-sponsored scavenger hunt, and a performance by local punk act Pink Mink, there were plenty of activities for the art-hungry guests. The MIA was a perfect venue for a fashion event, and we're definitely hopeful that the museum will make this fantastic concept an annual happening.

Thursday, November 18, 2010

Third Thursday Preview: An interview with designer Samantha Rei

by Juleana Enright

Tonight, Third Thursdays will unveil the products of a design challenge poised to pair four local fashion designers with works from Minneapolis Institute of Art's extensive trove. Inspired by the pieces' artistic aesthetic and cultural elements, the designers have created looks that bring their visionary juxtaposition with art and fashion to life via a stylishly eccentric gala runway show. In this article, l'étoile will be featuring a short Q&A section where readers not only get an insider's perspective on the designers' specific art choices but also catch a sneak preview of their wearable “works of art” collection.

We caught up with fashion designer and the creative chops behind local apparel line, Blasphemina's Closet, Samantha Rei, to chat about the challenges of experimental sewing projects, fashion as escapism and why her Third Thursday collection is a l'amour homage to her hubbie.


l'étoile: The works you chose as inspiration are very architectural: panels, grilles, terra-cotta tiles, an upholstered chair. What drew you to these?

Rei: Love, I guess. I'm a very romantic and whimsical type of person. I'm usually drawn to pretty and feminine things. My husband has had a long love affair with structured and blocky types of things. When we go to the MIA we go to the same wings all the time: Japanese Art, anything Rococo or Baroque, and the Art Deco section. Art Deco makes me think of him and it's pretty much the opposite of my aesthetic. It's both a challenge to my usual look and love letter to him.

l'étoile: George Elmslie – the artist who created the majority of your selections – designed with an organic, ornamental aesthetic in mind. How did you incorporate this aesthetic into your Third Thursday collection?

Rei: I did a lot of hand sewn trims when I couldn't find fabrics that had the shapes I wanted. I made felt backings for the circles to make them perfectly shaped, but hand stitched braided trim to get the right manipulated look. I chose lighter weight upholstery fabrics to get the prints I wanted and stayed with structured, yet pliable dupioni silks to get the rigid and organic look I was going for in the solids. I think so many of the items were both feminine and masculine, structured and fluid. It was a fun experiment!

l'etoile: These artworks are decorative yet useable, reminiscent of how the Victorian-inspired designs in Blasphemina's Closet are ornate, yet still function as wearable fashion pieces. How do you create garments that are whimsical while retaining their relate-ability?

Rei: I think about the fact that I'm not the only escapist out there. What would you want to wear to make yourself feel special if you were sure no one would give you a hard time? And in the end, would you really care if they did give you a hard time if you felt beautiful?

I try to put myself in the shoes of every prince and princess that live in the minds of every man and woman. There's no reason why people can't wear art every day and still be comfortable. I think there's an epidemic of comfiness. People equate comfortable with easy and lazy. It makes me sad to see people going through their day, not making a statement, or if they are, that statement is' "I don't care what people think of me. I want to blend in. I don't want my appearance to cause a fuss." When making a collection, I pick a theme that makes me warm and tingly inside; I ask people what they wish they had and I run with it. I do a lot of research; I read a lot of books; I watch a lot of TV and movies. I never want to make a garment that would make someone feel like they are set apart from everyone, because I don't want them to feel lonely. But at the same time I want them to make a statement, be a leader and run with their own look.

For more info on Third Thursdays at the MIA on November 18th click HERE.

For more info on Samantha Rei click HERE.


Thursday, November 11, 2010

Third Thursday Preview: An interview with designer Laura Fulk

by Juleana Enright

On the November 18th, Third Thursdays will unveil the products of a design challenge poised to pair four local fashion designers with works from Minneapolis Institute of Art's extensive trove. Inspired by the pieces' artistic aesthetic and cultural elements, the designers have created looks that bring their visionary juxtaposition with art and fashion to life via a stylishly eccentric gala runway show. Prior to the event, l'étoile will be featuring a short Q&A section where readers not only get an insider's perspective on the designers' specific art choices but also catch a sneak preview of their wearable “works of art” collection. (photo of Laura by Marshall Franklin Long)

This week, we went behind the sewing machine with sculptress and fashion designer, Laura Fulk, as she talks about her personal connection to photography and how she plans to bring her clothing collection to life.

l'étoile: As fashion inspiration you choose pieces by photographer and electrical engineer pioneer, Harold Edgerton. What drew you to his work?

Fulk: I was a partial photo major in my undergrad and was always drawn to his work. I still get a little star struck to think that the MIA owns it here, in Minneapolis. I think generally even the average person would think his work is astounding. What he’s done – especially during his era – was ground breaking and it’s flat out bizarre to see time frozen in such a way. I'm excited to put that "frozen explosion" in to a garment that moves...and breathes.

l'étoile: Edgerton was credited for his contribution transforming the lab instrument, the stroboscope (aka the strobe). Do you have any plans to execute this concept of oscillation and cyclical motion in the collection you're showcasing?

Fulk: Initially I did, yes. As the concept and actual pieces developed it started to become more about “the era” and the physical act of “blowing up.” I did a similar series in my art school days by blowing up jackets with firecrackers.

l'étoile: These particular photographs feature a sort of severed disconnectedness, an aesthetic that reminds us of some of the dramatic collars and spliced geometric shapes your past garments have incorporated. Is this something you thought of when selecting Edgerton's photographs?

Fulk: Absolutely. There was so much visual beauty in his work it almost takes my breath away. It’s really something when you can create physical reactions through art/fashion such as a “gasp”. That’s what makes me do what I do.

For more info on Third Thursdays at the MIA on November 18th click HERE.

For more info on Laura Fulk click HERE.

Monday, November 8, 2010

The MIA & l’étoile SCVNGR hunt is ON!

Play the MIA & l’étoile Art & Fashion App to win and iPad!

How to Play:

1. Download the free app SCVNGR for your iPhone or Android.
2. Under “Treks,” look for MIA & l’étoile Fashion.
3. Complete challenges at participating locations to rack up points. Challenges can be done once a day at each location, so play often!
4. Come to Third Thursday on November 18, where the person with the most points wins an iPad! You must be present to win.

Participating Locations-

MIA- www.artsmia.org
Cliché- www.clichempls.com
Electric Fetus- www.electricfetus.com
Blacklist Vintage- www.blacklistvintage.com
Design Collective- www.designcollectivempls.com
Jasmine 26- www.jasmine26.net

For more info on SCVNGR and to download the app, visit www.scvngr.com